Francesca Woodman was an American photographer, mainly producing beautiful black and white works. Woodman’s works display many diverse influences from symbolism and surrealism to Baroque painting. The ethereal and timeless quality of these pieces seem dream-like and strangely haunting. She began taking photographs at the young age of 13 and was only 22 when she produced the main bulk of her work. Nobody really talks about proteges in terms of photographers, but most certainly, she had to have been one.
Much of Woodman’s work explores notion of gender and looking, concentrating on the relationship of the body in relation to its surroundings. And most notably, the female body is what is considered traditional ‘feminine’ surroundings, the private rooms of houses. The interior as opposed to the public exterior. Woodman places her own body in the work often but her self-representation is often blurred or partially hidden, rendering her ghost-like and fleeting. Her body often blends into the disintegrating spaces, becoming a part of the peeling wallpaper or empty door frames. The vulnerability of her naked body is left exposed intimately yet through her specific photographic techniques, you feel as if you can never quite grasp the whole honest truth about the subject. Blink and she is gone.